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February-March 1998
Guitar Nine

Explosive, Contemporary Jazz With A World Feel

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Explosive, Contemporary Jazz With A World Feel

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

More Rock 'N Roll Fun Than Ought To Be Legal

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Instrumental Guitarist Stresses Music Over Flash

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Melodic, Hard Rock Instrumentalist From Down Under

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Instrumental Electro-Acoustic Guitar Music

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Haus

Be prepared do a lot of work promoting and marketing. I strongly suggest people make a plan detailing how they will be selling and marketing their record. Rather than trying to sell one CD at a time, shop it for licensing and other types of deals, since ultimately, that is where a large number of sales will come from.

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Maine's Premiere Fusion Guitarist Unleashed

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Solo Fingerstyle Guitarist Taps Into Her Talent

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Guitarist Blends Rock, Funk And Metal With Relentless Intensity

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Lightning Guitar Fuels All-Instrumental Release

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

A New Age Rock 'N' Roll Wandering Minstrel

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Instructor Shoots For Instrumental Release

Saturday, January 31, 1998 - 19:00
February-March 1998
Guitar Nine

Guitarist & Composer Has Acoustic Dreams

Saturday, January 31, 1998 - 19:00
December-January 1997
Guitar Haus

If you're a typical musician, you lack one or both of these critical qualities. Let's see how important they are to your success.

Sunday, November 30, 1997 - 19:00
December-January 1997
Sean T. Gill

If you`ve got the urge to explore jazz after a background in rock, you`ll need to understand the differences between the two styles. Guitarist Sean Gill gives you the keys to unlock the door to jazz.

Sunday, November 30, 1997 - 19:00
December-January 1997
Rusty Cooley

Houston guitarist Rusty Cooley figures that with ten fingers, there`s got to be times when you can use over half of them to express your ideas.

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Haus

I`d really like to develop into a good composer. I`m not a Greg Howe or an Allan Holdsworth when it comes to soloing, so I have no choice but to work on developing my compositional skills so that people will have a reason to listen! To me, the ideal is someone like Scott Henderson, or Shawn Lane, who are not only amazing players, but equally strong, if not better, composers. That`s the pinnacle, to me.

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Multi-Instrumentalist Tracks Cool, Contemporary Jazz

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Summoning The Ghosts Of Pop, Folk & Rock

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

One Of Those (Guitar) Guys

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Energetic, Unpredictable Fingerstyle Guitar

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Instrumental Guitarist Challenges The Musical Trends Of Today

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Alternative Acoustic With A Pure, Emotional Edginess

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Rock Guitar Virtuoso Plans New CD

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Guitarist/Songwriter Works Studio Magic Close To Home

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Neo-Classical Guitarist Goes Solo

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Progressive Instrumentals Laden With Emotion

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Instrumental Guitar Landscapes

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

High Energy Band Does It Themselves

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Vibrant and Powerful Acoustic Music

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Cutting Edge Guitarist Delivers the Instrumental Goods

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Creative, Unusual Power Trio Oozes Intensity

Sunday, November 30, 1997 - 19:00
December-January 1997
Guitar Nine

Electrifying, Emotional Blues-Rock Instrumental Music

Sunday, November 30, 1997 - 19:00
October-November 1997
Guitar Haus

Self-assessement time. Can you go it alone? You might need the synergy of two people working together to kick start your label.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Haus

I do as much pre-production as humanly possible at home. When you`re ready to record, and I can`t stress this enough, have everything rehearsed to death and a production plan ready. I did my latest CD at a commercial place, but my dream is to do my next one at home.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Haus

The bottom line is: I believe in my music. As an instrumental artist you`re not going to land a huge deal with a major label. If you do get a deal the label is going to take a huge chunk of money, and even if they do sign you, they may not even distribute your CD. Some friends of mine signed with a major label, and the label has not done a thing with them. So they have a great product that they can`t do anything with.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Paul Kuntz

New Jersey guitarist Paul Kuntz is back and aside from a ravenous appetite, he`s got plans to teach you all about tuplets and fitting the notes to the rhythm.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Tony Young

Just can`t get enough info about modes, can you? Guitarist Tony Young relates modes to chord progressions.

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Adrenaline-Pumping, Cinematic Heavy Rock

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Stepping Outside Contemporary Fusion

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Folk And Rock 'N' Roll With A Country Flavor

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Mixing Luxurious Soundscapes With Rock/Blues Guitar

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Instrumental Metal That Screams For Vengeance

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Surprising Interpretations Of Contemporary Classical Guitar

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Supercharged, Energetic Bass Guitar For The New Millennium

Tuesday, September 30, 1997 - 20:00
October-November 1997
Guitar Nine

Intense, Ripping Instrumental Guitar

Tuesday, September 30, 1997 - 20:00
August-September 1997
Guitar Haus

Completely subjective, straightforward tips in the areas of promotion, publicity and your career.

Thursday, July 31, 1997 - 20:00

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